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Bruna
A central part of my role as illustrator for this collection was to shape the visual identity of the main character: Bruna, a Shiba Inu pup. This process involved more than just creating an appealing image—it required developing a design with emotional and narrative depth, capable of evolving across multiple books.
Research and analysis
I began by studying the Shiba Inu breed to understand its most distinctive physical traits and behaviors. I learned that they have a unique personality: independent like cats, clever but stubborn, and extremely clean. Physically, they resemble small foxes—with a compact build, pointed ears, slender muzzle, and an alert expression. These traits became the foundation for Bruna’s initial design.
Creating a unique Bruna
Beyond the breed, Bruna is an individual. To capture what makes her special, I analysed real-life photographs and read interviews with her human companion. I discovered she travels frequently and behaves like royalty in airports. She loves lavender but is terrified of storm drains. She also has a small spot on her left cheek that looks like a beauty mark—a tiny detail, but one that makes her unmistakable.
Humanising Bruna
I chose to humanise Bruna to expand her expressive range. This allowed her to do things like hold an ice cream cone, ride a bike, or wear a coat—broadening her visual and narrative possibilities. This approach also deepens reader empathy: young audiences can more easily relate to a character that expresses human emotions.
Expression and consistency
Because the series focuses on emotional themes, facial and body language were essential. I dedicated significant time to designing her gestures and poses to ensure a clear and recognisable emotional palette.
Once her core form was defined, I created a character sheet with standard expressions and poses, which helped maintain visual consistency throughout the books and streamlined the illustration process.
The main challenge was finding the right balance between staying faithful to the real Bruna and meeting the storytelling needs of the series. This wasn’t a one-off illustration—it was a comprehensive character design project with long-term vision, crafted to accompany young readers across multiple stories.
Bruna’s journey doesn’t end with sketches
Explore how this character, born in my studio, has grown into a published children’s book series—where illustrations and emotions meet on every page.
